No 11336 
A.Visakosov 2nd prize "64" 1997

White: Kb6, Bb2, Bd5, Nh2; pawns - a3, c2
Black: Kc8, Bg3, Bg6, Nc3, Ng1; pawn - b3

Draw

1.Bxb3 Nd1 2.Be6+ Kb8 3.Bd4 Bxh2 4.Bg4 Bxc2/i 5.Kc5/ii Kc7
6.Kd5 Bb3+ 7.Kc5 Bc2 8.Kd5 Kb7 9.Kc4 Ka6 10.Kb4 Bd6+
11.Kc4 Bh2 12.Kb4 Kb7 13.Kc4 Kc6 14.Ba7 (14.Kb4? Kd5;)
14...Ba4 15.Kb4 Bc2 16.Kc4 Kb7 17.Bd4 Kc6 18.Ba7 Kc7 19.a4
(19.Bd4? Kd6;) 19...Bxa4 20.Kd3 Kc6 21.Kd2 Bf4+ 22.Kd3 Nb2+
23.Kc3 Be5+ 24.Kb4 Bd6+ 25.Kc3 Be5+ 26.Kb4 Bh2 27.Kc3
Nd1+ 28.Kd2 Bf4+ 29 Kd3 positional draw.

i) "This is the key position. Were it not for the white pawn on a3,
the black King could reach his pieces and disentangle them."
ii) 5.Kc6? Be4+ and Nf3; or 5.Kb5? Bd3+ and Ne2; if 5.Ka5? We
have the thematic try, met by 5...Kc7 6.Kb4 Kc6 7.Kc4 Kd6, and
White has fallen for the zugzwang crux we see later in the main
line (White's move 7): 8.Ba7 Ke7 9.a4 Bxa4 10.Kd3 Kf6 11.Kd2
Bf4+ 12.Kd3 Nb2+ 13.Ke4 Kg5 wins. 

"A synthesis of domination, reciprocal zugzwang and positional
draw due to attachment duties. A powerful construction! We are
impressed and intrigued by the valiant grappling for essences
shown by this composer at the start of his career as he works with
complex ideas. We have to concede that the study atelier has
gained much now that it has been joined by the outstanding talent
of A. Visakosov."